Finally, not a fan of the theme song

Oct. 1st, 2017 08:14 pm
conuly: (Default)
[personal profile] conuly
Insufficiently "Fanfare to the Common Man" for my tastes, and I don't like the intro video either.

(And I have Thoughts. For a society so obsessed with the Prime Directive, Federation humans are equally obsessed with the idea that secretly, all species would be better off as humans. Here it is AGAIN in this ep. Nevermind that being raised by Vulcans is a strange plot contrivance, isn't it enough that she's content and functional, without having to ditch who she is to be "more human" by some arbitrarily emotional reckoning? Is this universal Trek belief a clever dig at Americans, or do Trek writers really agree with this? Eddington was right - they're worse than the Borg! They assimilate people, and they don't even realize it. This would be an interesting angle to take. They already have the seeds planted with the Klingons. They're not going to go that route, though.)

Ah well. In other news, J was thrilled with his bag. Also, I am sick. *sneeze*

Oh! And when I came home today from walking the dogs, there was a cardboard cat carrier and a small box of cat food on my porch. This is all a bit inexplicable, and I'm wondering if maybe somebody intended to leave a cat there? If so, kitty escaped. Just as well - I'm full up on formerly stray animals.

****************


Poison Frogs Make Surprisingly Attentive Adoptive Parents

Fish have complex personalities, research shows

Indian Designers Built A Genius Air Conditioner That Works Without Electricity, And It Can Save Lives (Well, "invented" is a stretch, evaporative coolers already exist, but it looks nifty.)

'Cowgirls of Color' break barriers to compete in typically white, male rodeo

Quiet energy revolution underway in Japan as dozens of towns go off the grid

You Need to Try Coffee Lemonade

The Women Miners in Pants Who Shocked Victorian Britain

A Failed 1930s American Town, Lost in Time in the Amazon Rainforest

The EU Suppressed a 300-Page Study That Found Piracy Doesn’t Harm Sales

Group Therapy Is Saving Lives in Chicago

Catalans are not alone. Across the world, people yearn to govern themselves

Iraqi Kurdistan referendum: High turnout in independence vote

Reluctant champion: How Nadia Murad has become the international face of Yazidi suffering – and resilience

The History of Sears Predicts Nearly Everything Amazon Is Doing

Artificial Colors Are Back in Trix Because Nobody Liked Natural Ingredients

Revenge of the Super Lice (Apparently, in Europe it's mostly synthetic oil treatments, not pesticides. I'll keep an eye out for the day that's approved over here.)

Anatomy of a Propaganda Campaign

The family of strangers who fled Boko Haram

Every year, millions try to navigate US courts without a lawyer

How Conservatives Learned to Love Free Lawyers for the Poor

The Brazenness of Trump's White House Staff Using Private Email

Still Fighting at Standing Rock

Trump’s wall could cause the extinction of the American jaguar

Trump Is Helping Airlines Get Away With Breaking People’s Wheelchairs

Silent killer: Sweltering planet braces for deadly heat shocks

ONE WEEK LEFT!

Sep. 25th, 2017 11:46 pm
weasleytook: (Default)
[personal profile] weasleytook posting in [community profile] crossovering
There is now just one week left to post your assignments and pinch hits! All works should be posted by 11:55 p.m. PDT on October 2.  (Find out what time that is where you live.)

There will be time for minor edits during the late pinch hit period, but your works should fit the requirements of the challenge by this point or we may have to consider your assignment in default. (And, yes, we do check all of the posted works!)

As always, feel free to contact us at crossoveringmods@gmail.com if you have any issues or concerns. Otherwise, check out the relevant links below:

aris_tgd: "Sophi broke down in tears, like a diesel car that had run out of petrol." (Lyttle Lytton Sophi tears car petrol)
[personal profile] aris_tgd
I just went back through a bunch of my DW archive and I found a few memes that I posted which people actually commented on, and then I never got back to. So I'm going to try to answer some of those in posts in the next few days?

Hey, it beats actually working. ;)

My shoulder feels less bad than it did! At least one ergonomically unfortunate writing position is actually possible for me to sit in again, hooray(?)

I haven't put a word in on the latest fic project of doom (the Elsa/Hans faerie contract fic) in quite some time, which is unfortunate. I've also got Yuletide coming up, which I have to construct some kind of requests for, I suppose? It feels like aaaages since I've done any kind of challenge, which is probably because I "skipped" YT last year, haha.

Anyway, in other news, I still think this is accurate. Someone not me should write that.

A sudden craving

Sep. 25th, 2017 10:12 pm
krait: chibi Soubi (Loveless) whistling smugly (smug Soubi)
[personal profile] krait
I spent far too much of today reading Prince of Tennis Silver Pair slash! I haven't watched PoT in forever, but it was like somebody reached into my head late Saturday night and twisted a dial around hard; I have quite methodically worked my way through the eight pages of Ao3 results and every working bookmark in my collection.

If anyone has any non-AO3 recs, I'd welcome them! Or just babble at me about this (whether "this" is Prince of Tennis, or getting ambushed by weird fic cravings, or that one fandom that you never thought you'd be into) in the comments.

As tends to happen when I fic-binge, I've ended up thinking a lot about what works for me and what doesn't, both for a specific canon and more broadly. This fandom definitely hits a couple of bulletproof narrative kinks for me - especially 'struggling with an unwanted attraction'/'questioning one's orientation' (with a side of 'concealing it in a hostile environment'), and 'deep platonic loyalty' - and that might explain why I'm so invested in a couple of characters from a shounen sports anime, despite having no interest in school settings or sports.

Does anyone else have an "outlier" fandom or OTP that helped shed light on your narrative kinks? (Also, why are a bunch of mine so hard to describe? It's difficult to go looking for more of something when it takes a paragraph and a half just to summarise the basic concept!)

(no subject)

Sep. 25th, 2017 10:08 pm
skygiants: Kozue from Revolutionary Girl Utena, in black rose gear, holding her sword (salute)
[personal profile] skygiants
I happened to see on Twitter that today was the 30th anniversary of The Princess Bride, which I guess makes it a good day to post about As You Wish: Inconceivable Tales from the Making of the Princess Bride.

This is Cary Elwes' memoir of the making of the film, a book I had vaguely meant to read for years, but did not actually get around to until our new roommate left his copy in the house this summer as a sort of placeholder before actually moving in. It's very charming! I'd sort of always had a vague sense that Cary Elwes must in some way resent being forever branded as The Man In Black, and I'm sure that at some points he has and does, but this write-up is probably the most overwhelmingly positive and enthusiastic Hollywood making-of memoir I've ever read. It's clearly intended for people who love the film and want to go on loving it, without a complicated feeling in sight.

My favorite part was probably the enthusiastic things that Cary Elwes and everyone interviewed had to say about Robin Wright and her acting as Buttercup; they're all like "we sailed through on jokes! playing the straight man is the hardest role in the cast! ALSO SHE CAME FROM SOAP OPERAS, SOAP OPERAS ARE SO HARD, DO YOU KNOW HOW MANY LINES PER DAY --" I went in braced to feel vaguely defensive of Robin Wright and Buttercup, as I so often do, and instead I was charmed and endeared!

I also enjoyed accounts of:
- Mandy Patinkin turning up to the first rehearsal with six months of sword practice under his belt, much to Cary Elwes' dismay
- William Goldman freaking out about Rob Reiner setting the leading lady on fire
- Andre the Giant accidentally conking Cary Elwes out on set
- Cary Elwes carefully arranging himself on the grass in an elegant lounging position to hide that he'd broken an ankle joyriding in a golf card
- so much detailed description of sword training and fight choreography! *__* SO MUCH

(no subject)

Sep. 25th, 2017 09:09 pm
allekha: (Default)
[personal profile] allekha
Image of my garden haul from Saturday )
Four eggplants and lots of basil! (Three of the eggplants have already disappeared, as I have discovered that nasu dengaku is delicious.) I have another eggplant I need to harvest tomorrow, too, plus more peppers coming in - I finally figured out which pepper was the odd one out because it's growing long fruit that I think are supposed to turn red, not the tiny yellow ones. My basil did start catching some sort of fungal infection :/ but they seem to be recovering, though I need to spray them again. I've been picking plenty of leaves (which they regrow just as fast, it seems) so ventilation shouldn't be an issue. I have been throwing the leaves in anything I can - pasta, soup, pesto.

I've been very busy this month - I had a lit review that I had to finish for my program requirements. I just sent it in last Thursday, and my advisor wants to discuss it tomorrow. My beta readers thought it was great - hopefully he won't be too, "You need to change this and this and I don't know how you even concluded this and take this part out and why didn't you talk about so and so in this part?" (Mostly because it was a pain to write for various reasons. And I still have to do a presentation for it, but that part's easy!) I have an exam tomorrow, too, but I don't think it should be too hard.

Most of my free time not spent writing the lit review was focused on my Relationshipping fic, and as soon as that was done I promised myself not to write anything else until the review was done. You would think that I would be happy to take a break after finishing a 20k fic, but apparently my brain is bursting with ideas and enthusiasm. It'll be nice to write something I actually want to work on again, that isn't academic. I'm not starting anything for Trick or Treat yet, but I have a list of people I want to write treats for, and I might even try drawing something for someone.

And I want to get back to Genji. (I did take a day off to read the last book of Lockwood & co when it arrived, and very much enjoyed it.) And all the longer Rare Ships on Ice stuff I haven't had time to read. Actual research and programming, too, and it would be nice if I knew that the rest of my research group was alive....

a rainy night, just like any other

Sep. 25th, 2017 08:54 pm
[syndicated profile] ao3_hakkai_gojyo_feed

Posted by <a rel="author" href="/users/izayoi_no_mikoto/pseuds/izayoi_no_mikoto">izayoi_no_mikoto</a>

by

On those dark, rainy nights, Gojyo can do nothing but be there.

Words: 748, Chapters: 1/1, Language: English

"National backbone"

Sep. 26th, 2017 12:40 am
[syndicated profile] languagelog_feed

Posted by Victor Mair

I. J. Khanewala writes:

While visiting the tomb of the first emperor, I saw a sign in Mandarin which read minzu jiliang and translated as "National backbone". It left me quite mystified.  Here's a photo of the sign:

Source ("Utterly lost in translation").  Any idea what it could mean?

Textual references to "mínzú jǐliang 民族脊梁" ("national backbone" — that's what GT, Microsoft Translator, and Baidu Fanyi all have, and it's not far off; there's not much else you can do with it, though it would sound better if worded as "backbone of the nation") abound in modern China and calligraphic representations of the phrase are in evidence in many public spaces.  So it's not surprising that it would be in evidence at the Mausoleum of the First Qin Emperor.

"Mínzú jǐliang 民族脊梁" ("national backbone") is a variant of "中国的脊梁" ("the backbone / spine of China"), coined by the great author Lu Xun (1881-1936), whom we've mentioned many times on Language Log, in his article " Zhōngguó rén shīdiào zìxìnlì le ma 中国人失掉自信力了吗?" ("Have the Chinese People Lost Their Confidence?").  It was written during the period of the buildup to the Second Sino-Japanese War (July 7, 1937 to September 9, 1945) to encourage people not to lose strength and hope in their struggle against the invaders.

The most famous calligraphic exemplar of "mínzú jǐliang 民族脊梁" ("national backbone") is that by Zhao Puchu (1907-2000) at the Big Goose Pagoda in Xi'an, which is closely associated with the celebrated Buddhist pilgrim and translator, Xuanzang (fl. ca. 602-664).  Zhao evidently meant his rendition of "mínzú jǐliang 民族脊梁" ("national backbone") as a tribute to the Tang dynasty Buddhist monk.

Here's a photograph of the wall on which Zhao's calligraphy is displayed, with a portion of the enormous pagoda looming in the background:

Geremie Barmé comments on Zhao's calligraphy thus:

It's an oddly anachronistic work. The calligraphy is by the pro-Communist state Buddhist layman Zhao Puchu 赵朴初.  Zhao is celebrating the achievements of Xuanzang 玄奘. What mínzú 民族 ("nation") in the Tang, one may well ask?

Barmé is not the only commentator to question the appropriateness of Zhao dedicating the phrase that originated with Lu Xun during the period of the Second Sino-Japanese war to the Tang Buddhist monk, Xuanzang.  Numerous posts online reveal that many people know about the association between Lu Xun and this phrase, but they are confused about why this phrase appears next to the Big Goose Pagoda in Xi'an.  Some commenters opine that it is weird and awkward to juxtapose this phrase with the Big Goose Pagoda because they don't sense any convincing connection between the place and the phrase.  Presumably, the phrase is also calligraphically displayed at the Mausoleum of the First Qin Emperor, which might similarly lead to the same kinds of questions as those raised about its appearance at the Big Goose Pagoda.  The difference, however, is that Zhao Puchu was one of the most famous calligraphers of the second half of the twentieth century, so that — no matter whether fitting the context or not — Zhao's calligraphy, which may be seen at countless places all over China, seems justified by the sheer eminence of the artist.

Here's the phrase on a wall in Shaoxing, Lu Xun's hometown in Zhejiang Province:

There's little doubt that it perfectly suits the place and the person.

[Thanks to Yixue Yang and Jinyi Cai]

conuly: (Default)
[personal profile] conuly
but given the advanced state of their tech, am I wrong in pegging this as a third universe? Okay, that's my official head-canon. Something, something, temporal cold war - THIRD UNIVERSE! (So does each new parallel universe also have its own twin mirror universe?)

Also: Why do all futuristic jails in all universes everywhere have force fields with no physical backup? That seems like a major design flaw.

Also also: Why are all the Klingons bald? Strange fashion choice, or genetic disease?
[syndicated profile] scalziwhatever_feed

Posted by John Scalzi

There was thread over at Metafilter this week talking about book sales and author earnings, including a link to a study that purported to chart author earnings, based on sales at Amazon.  I have to admit I had a bit of a giggle over it. Not because it was attempting to guess author incomes, which is fine, but because the methodology for estimating those earnings came almost entirely from trying to estimate sales of the authors’ books on Amazon, and extrapolating income from there.

Here’s the thing: For non-self-published authors, the correlation between annual book sales and annual “earnings” as a writer can be fairly low. As in, sometimes there is no correlation at all.

Confusing? Think how we feel!

But let me explain.

So, I’m a writer who works primarily with a “Big Five” publisher (Tor Books, which is part of Macmillan). For each of my books, I’m given an advance, which in my case is paid in four separate installments — when I sign the contract, when I turn in the manuscript and it’s accepted, when the book is published in hardcover and when the book is published in paperback. This is fairly typical for most writers working with a “traditional” publisher.

Once the advance is disbursed, my publisher owes me nothing until and unless my book “earns out” — which is to say, the amount I nominally earn for the sale of each unit (usually between 10% and 15% of each hardcover, and 25% of the net for eBook) exceeds cumulatively the amount I was offered for the advance. Once that happens, my publisher owes me for each book sold, and that amount is then usually disbursed semiannually…

usually. There could be other complicating factors, such as if the royalties of the books are “basketed” (meaning the contract was for two or more books, and the royalties are not disbursed until the advance amount for every book in the “basket” is earned out), or if some percentage of the royalties are held back as a “reserve against returns” (meaning that some books listed as sold/distributed are actually returned, so the publisher holds back royalties for a payment period to compensate).

Bear in mind that most publishers try to offer as an advance a sum of money they think the book will earn, either over the first year in hardcover, or across the entire sales run of the work. Which means that if the publisher has guessed correctly, it will never have to shell out royalties. Sometimes they guess poorly, which means either they paid too much for an advance or not enough; in the latter case, that’s when the royalty checks come (please note that even if a publisher pays “too much” and the advance isn’t earned out, it doesn’t mean the book wasn’t profitable for the publisher — their bottom line is not necessarily heavily correlated to the author’s advance — nor does the author have to pay it back).

So what does this all mean? Well, it means that for a non-self-pubbed author, often none of their annual earnings from a book are directly related to how many of those books sell in a year (or any other specified time frame). In fact, depending on how the advance is paid out, three-quarters or more (even all!) of the author’s earnings from a book are disbursed before the book has sold a single unit.

Like so:

Book is contracted: 40% of the advance (“signing installment”) goes to the author. Books sold to date: 0.

Book is turned in and accepted: 20% of the advance (“delivery and acceptance installment”) goes to the author. Books sold to date: 0

Book is published in hardcover: 20% of the advance (“hardcover installment”) goes to the author. Books sold to date: 0 (there may be pre-orders, but the sales don’t usually start being counted until this time).

Book is published in paperback: Final 20% of the advance goes to author. Books sold to date: Hopefully some! But even if the number is zero, the final installment gets paid out (if so few books are sold that the publisher foregoes the paperback release, there’s still usually the contractual obligation to pay out).

Note these advances can be paid out over more than one year — I once got a final installment for an advance roughly six years after I got the first installment (it was a complicated situation). Likewise, once the book starts selling, it can be years — if at all — before the author starts earning royalties, and even then, thanks to the reserve against returns, what the author gets in those semi-annual royalty checks is not 1:1 with sales for the period the check covers (note: this sometimes works to the benefit of the author). Also note: Those semi-annual checks? Often cover a period of time located in the previous fiscal or calendar year.

All of which is to say: For a “traditionally published” author, at almost no point do what an author’s yearly earnings for a book directly correspond to how the book is selling in that particular year.

(Is this bad? No, but it needs paying attention to. Authors tend to love advances because they’re not directly tied to sales — it’s money up front that doesn’t have to be immediately recouped and can help tide the author over during the writing and the wait for publication. But it also means, again, that it can be years — if at all — before money from royalties comes your way. Authors need to be aware of that.)

To move the discussion to me directly for a moment, if someone tried to guess my annual earnings based on my yearly unit sales on Amazon (or via Bookscan, or anywhere else for that matter), they would be likely be, well, wildly wrong. At any moment I have several books at various stages of advance disbursement — some contracted, some completed but not published, some published in hardcover and some published in paperback — a few all paid out in advances but not earned out, and several earned out and paying royalties.

Add to that audio sales (another set of advances and royalties) and foreign sales (yet another) and ancillary income like film/tv options (which are not tied to sales at all, but sales help get things optioned) and so on. Also note that not all my sales provide royalties at the same rate — a lot will depend on format and how many were previously sold (if they are in print or physical audio), unit price (if they are eBook or audio files), and on other various bits that are in contracts but not necessarily disclosed to the wide world. Oh, and don’t forget my short fiction and non-fiction!

Basically, my yearly earnings as an author are a delightful mess. I’m glad I have an accountant and an agent and a very smart life partner to help me stay on top of them. These earnings have almost nothing to do with unit sales in any calendar year, and more to the point, never have, even when I was a newbie book writer with a single book contract to my name. I signed my first book contract in 1999; since then I have yet to have a year when my earnings from being an author approach anything like a 1:1 parity with my book sales in that same year.

Does this matter? Well, it matters if you are, for example, trying to extrapolate what “traditionally published authors” make based on their annual sales, and are then comparing those “earnings” to the earnings of self-published authors. It’s ignoring that these are entirely different distribution systems which have implications for annual earnings. I don’t think one is particularly better than the other, but a direct comparison will give you poor results. Note also that’s true going the other way — applying “traditional publishing” income models to self-published authors will very likely tell you incorrect things about how they’re doing economically in any one year.

(And as a further note: Do likewise be aware of the caveats for anyone trying to extrapolate self-pub/indie annual author earnings from Amazon as well. It misses direct sales, which for authors who ply the convention circuits can be significant, and also may not fully incorporate how Amazon deals with payments in its subscription models, which are handled rather differently than actual sales, and which (unless it’s changed very recently) come from a pre-determined pot of payment rather than a straight percentage of sales. Hey, it’s complicated! Almost as complicated as the “traditional” model.)

Here’s one thing I suspect is true: It’s possible to make money (sometimes a lot of it) as a traditionally published author, or as an self-published/indie author — or as both, either in turn or simultaneously, since, as it happens, there’s no deep ideological chasm between the two, and generally speaking an author can do one or the other depending on their project needs, or their own (likewise, it’s possible to make almost no money either way, too. Alas). It’s not an either-or proposition.

But yes: Here is a grain of salt. Please apply it to anyone who tells you they know how much any author (traditional or self-pub/indie, but especially traditional) is earning in any year, based on Amazon sales, even if they’re  limiting it to Amazon sales. They’re just guessing, and you have no idea how far off their guesses are. And neither, I strongly suspect, do they. Only the actual authors know, and most of the time, they’re not telling.


Gratitudes

Sep. 25th, 2017 06:26 pm
kass: glasses of pink wine (rose)
[personal profile] kass
1. A friend gave me a bag of freshly-picked sungold cherry tomatoes today, and I have melted them into a simple tomato sauce with a sweet red pepper and some good olive oil and salt and pepper, which will dress my pasta tonight.

2. Also on the docket for dinner tonight is a salad of CSA arugula, mustard greens, and red Boston lettuce -- stunning fresh greens with some feta and a simple vinaigrette. This may be the last head of lettuce this season. Then again it may not, because unseasonable warmth, who knows. One way or another, om nom nom.

3. Kitten. Because kitten.

4. Glass of rosé, because boy howdy is it wine o'clock.

5. Power, and light, and modern conveniences of ordinary living -- with awareness that so many people are impacted by disaster right now and do not have these things at all.

How are y'all?
twistedchick: (autumn fox by Lanning)
[personal profile] twistedchick
More by Lillian Ross:

Workouts -- her interview with Robin Williams (I think 1989).

The symbol of all we possess -- the Miss America pageant, 1949.

Come in, Lassie -- Hollywood and the House UnAmerican Activities Committee (1948)

The shit-kickers of Madison Avenue. (1995)

***

The strange techtonic coincidences of the recent Mexican earthquakes.

The closing of the Dictionary of American Regional English.

The dying art of disagreement.

How many times does it need to be said? Puerto Rico is American. Now can we get going and fix things up for six million Americans dealing with water, low on food and without electricity for the foreseeable future? And here's how you can help. If you need to explain how badly the island was hit by Hurricane Maria, quote from this.

Lessons from Rolling Stone.

Throw the little old lady down the stairs! An interview with John Huston. (1952)

How did women fare in China's Communist revolution?

Will Mark Zuckerberg 'like' this column? Facebook, social media, Russians and the election.

How did marriage become a mark of privilege?

3 ways the Republican anti-health bill differs from previous anti-health efforts.

Remember Anthony Weiner, who not only couldn't keep it in his pants but felt he *had* to send phone photos of it to underage girls? He's going to prison for 21 months. An ignoble end to what once was a very promising political career.

Women need to rewrite/update the New York state constitution. Were women involved in writing the state constitution in your state? Or wherever you are?

Ghost

Sep. 25th, 2017 05:23 pm
[syndicated profile] ao3_hakkai_gojyo_feed

Posted by <a rel="author" href="/users/izayoi_no_mikoto/pseuds/izayoi_no_mikoto">izayoi_no_mikoto</a>

by

Hakkai might not realize it, but Gojyo knows: There are three people living in this house.

Words: 492, Chapters: 1/1, Language: English

conuly: (Default)
[personal profile] conuly
OUT OF MY FANDOM.

What the hell sort of Star Trek have they even been watching all this time?

Crochet Jackpot

Sep. 25th, 2017 03:26 pm
grey853: crochet square (crochetsquares_furriboots_home)
[personal profile] grey853
I found the greatest deal at a flea market this weekend. It was a DVD of Crochet World Magazine 2001-2010 put out by Annie's publishing. I got it for $2. There are more than 60 pdf files of all the Crochet World magazines plus any special editions. There are dozens of patterns in each bimonthly edition.

It was fun to see how crochet offerings have changed over time. In the earlier years, a lot of the patterns were for doll clothes and doilies. Later ones were more scarves, afghan, sweaters, and stuffed toys.

I've already printed off a couple of afghans I'd like to try for the winter.

Anybody else find bargains like this?

Marvel is Marvel 2017

Sep. 25th, 2017 12:36 pm
scribblemyname: (x-men)
[personal profile] scribblemyname posting in [community profile] yuletide



banner by broadbeam


The idea here is to organize a gift exchange designed for Marvel and its many branched runs, authors, related and unrelated fandoms. The idea is to include the X-Men side and the Avengers side and every other side that non-Marvel fans don't realize is Marvel. The idea is to include any timeline you want, any world you want, any character you want, so long as it's Marvel.

NOW OPEN FOR NOMINATIONS

Dreamwidth Community | LiveJournal Feed | 2017 AO3 Collection | 2017 Tagset


  • Nominations: Sunday, September 24 - Saturday, October 14

  • Sign Ups: Tuesday, October 17 - Sunday, October 29

  • Assignments Out: Monday, November 6

  • Works Due: Saturday, December 9

  • Works Revealed: Sunday, December 17

  • Authors Revealed: Sunday, December 24

I meme therefore I am

Sep. 25th, 2017 01:26 pm
telophase: (Default)
[personal profile] telophase
Late start for work today because Nefer woke us both up complaining, and it turns out she's most likely got another UTI. We had to take her in to the vet, who could work us in this morning, luckily, so she's got a shot of antibiotics, a shot of painkiller, and a sample taken for culturing to figure out which bacteria it is. We've also locked her in the spare bedroom and bathroom with her own litterbox, food and water, and the microwavable heating pad to give her a few hours without Sora going YOU SMELL WEIRD AND ARE ACTING FUNNY I SHOULD TRY TO DRIVE YOU OUT OF THE PRIDE.

She didn't want to be locked up, but the painkiller is a morphine derivative and the vet assured us that life was going to get very good for her about an hour later, so I expect she's snoozing away in a sunbeam right now, content in the knowledge that she is now edging ahead of Sora for the title of Most Expensive Member of the Household.

Meme time!

What Kind of Dungeons and Dragons Character Would You Be? )

Remix fic! and fic report

Sep. 25th, 2017 12:45 pm
celli: a woman's hand writing in a journal, captioned "i write, therefore i am" (hopewrite)
[personal profile] celli
Remixes are revealed! My awesome Trek AOS remix was written by [archiveofourown.org profile] LadyMerlin and mine is:

Let's See What Happens (The False Destiny Remix) (1205 words) by celli
Chapters: 1/1
Fandom: Vorkosigan Saga - Lois McMaster Bujold
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Relationships: Gregor Vorbarra/Laisa Toscane Vorbarra
Characters: Gregor Vorbarra, Cordelia Naismith Vorkosigan, Laisa Toscane Vorbarra, Alys Vorpatril
Summary:
She didn’t know what shoes had to do with anything, but her superiors had been firm: anything was a possible lever with the Emperor, track and report it all.


Done:
* Coursera Style week 4 story (600/600)
* Coursera Setting week 1 story (308/300)

New:
* Coursera Setting week 2 story (0/500)
* PODSA bedsharing/glasses fic (76/whatever)
* PODSA election night 2008 fic (863/whatever) (DON'T @ ME)

Other:
* PODSA gift story (1069/whatever)
* basic income contest story (124/5000) (I may drop this...the Coursera classes are taking up a lot of my writing time.)
* PODSA mpreg (2062/whatever)
* Star Wars auction fic, two scenes left (704/1000+)
* AIRPF AU with [personal profile] rajkumari905 (3316/whatever)
* AIRPF auction fic (0/1000+)
grav_ity: (no power in the verse can stop me)
[personal profile] grav_ity
This book is, theoretically, YA, but also has amazing potential to crossover into MG. I feel like she knew she was going to write kids as they grew, and took the opposite approach that Riordan and Rowling did (ie started with them in the upper age bracket). It works well.

ANYWAY, the most basic pitch is "Nigerian Harry Potter", but it's SO much more developed than that. Okorafor's world is brilliant and terrifying, and Sunny's magical world is MUCH closer to the real one than Harry's is. I absolutely loved it.

Penguin is publishing a book 2 (Akata Warrior) in a couple of weeks, and I am really pumped about it.

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